Tuesday 31 December 2013

Favorite Shows from the Past Year

I probably went to more than my fair share of shows this year. My hearing definitely took a hit, but it was all worth it to see some of my favorite bands in person! Here are some of my fav shows from 2013 in chronological order:

April 13th | Rah Rah, Two Hours Traffic, and Zeus at Biltmore, Vancouver

An absolutely unbelievable lineup of bands, and I was ridiculously excited for the show well in advance. It definitely did not disappoint. Rah Rah hit the stage to an empty dance floor that quickly filled with people enjoying their infectious blend of indie rock. I especially enjoyed how the band rotated instruments throughout the set. Next was Two Hours Traffic, one of my favorite bands ever, and I went full fan-boy, proceeding to sing along to every song on the setlist. Zeus followed with a rocking set. But what really made the show special were all the other musicians in attendance. Said the Whale, Yukon Blonde, Dan Mangan and more were all there, making the evening into a celebration of the Canadian indie rock scene. To top it off, Zeus brought a bunch of these special guests on stage to conclude with Springsteen’s “Dancing in the Dark.”


 August 11th | Avett Brothers at Edmonton Folk Music Festival

What a great day in the sun with friends. Danced my pants off to the Avett Brothers’ tight and professional set. The day really ended with a literal BANG with an insane thunderstorm.

September 29th | Elliott BROOD at Media Club, Vancouver

This was an amazing, intimate evening to celebrate Elliott BROOD’s 10 Year Anniversary as a band. With many friends and family in the room, the BROOD played an extra long and enthusiastic set. And man oh man was it LOUD, my ears haven’t rung like that in a long time. Loved hearing the entire crowd hollering along, a rarity in Vancouver it seems…



October 17th | Japandroids at Biltmore, Vancouver 

I have never been so sweaty in my entire life. The mosh was ridiculous; I even ended up on stage near the end of the set. Brian and Dave completely rocked out, playing every song from Post-Nothing and Celebration Rock with amazing energy. Brian repeatedly said that the band would be retiring some of the songs from their live set after the show, so I was very glad to have heard some of my favorite tracks one last time live!


December 3rd | The Head and the Heart at Commodore Ballroom, Vancouver

Really great set that was more rocking than I was expecting. Crowd was into it, band was into it, everyone was just on the same page at the same time, which made the night really awesome. Loved the finale with everybody singing along to “Down in the Valley.”


Upcoming Shows I’m going to and YOU should too:

January 5th Surfer Blood with Wild Ones at Media Club

Great indie rock with a surf rock feel. Way too big in my opinion to be playing the Media Club, so should be a nice intimate night.



February 6th White Lies at Venue

Big, stadium-esque rock and roll with a new wave influence. Epic.



Wednesday 25 December 2013

Top 25 Songs of 2013

I'm not going to bore you with a contrived introduction about how great 2013 was for music. Here are my top 25 favorite tracks of the year!

PS: I'm burning CDs for anyone who wants one! Just comment or message me on FB!


25. Dr. Dog – “Love” 

Folk rock band Dr. Dog gets poppy on this awesome track, asking, “Love, can it last all my life as it passes?”



24. Fake Shark – Real Zombie! – “Paint it Gold”

Had you asked me for this list back in the spring, this song would have been number one. Catchy lyrics backed by deep electro beats and simple guitar riffage create a perfect summer single.



23. Imaginary Cities – “Chasing the Sunset”

Magnificent string orchestration really drives home this lovely soft rocker from the Winnipeg-based Imaginary Cities. I love the female vocals that just float above the track.



22. Woods – “Be All Be Easy”

Folk rock with dreamy lo-fi vocals give this track a cool DIY vibe.


21. DL Incognito – “Days Gone feat. D-Sisive”

Canada’s most underrated rapper by far. DL’s flow is unmatched, except by his classy and professional production. “Days Gone” tells the story of a man coming out of a drinking problem. DL’s delivery is compelling, and the hook on the chorus brings me back time and time again.



20. Cold War Kids – “Miracle Mile”

Pounding piano set a high tempo for this rock track, and dancing comes highly recommended. But as lead singer Nathan Willett sings, don’t forget to “come up for air.”



19. GRMLN – “Do You Know It Feels”

There’s something about the ride cymbal matched with the distorted vocal “do you know how I feel?” that just gets me every time. The half time breakdown to end this rockin’ track is just the cherry on top.

Soundcloud





18. Shad + Skratch Bastid – “Classic”

Shad’s 2013 album Flying Colours proved popular with fans and critics alike. But back in the spring he dropped a free mixtape called The Spring Up, with Skratch Bastid dropping the beats and guest verses from Cadence Weapon on a track or two. The lead-off track, “Classic,” is a great summer tune with Shad K delivering confident, faux-cocky verses seemingly without effort. It’s this carefree attitude that beats out the more professional tracks on Flying Colours.


17. Houndmouth – “On the Road”

The playful duet vocals on this folk rocker make the track for me. I love the bridge with the guy and gal flirting back and forth before crashing back into the peppy chorus.



16. Radiator Hospital – “Our Song”

An anxious, speeding indie pop number, with singer Sam Cook-Parrott howling out lyrics at an ever-increasing pace. The story told in the lyrics is touching even though it’s technically a break-up song. The guy has finally come to terms with the fact that his girl doesn’t love him anymore, and all he wants is to see her happy instead. Cook-Parrott’s delivery seems spontaneous and improvised, adding to the DIY feel of this awesome song.


15. The Matinee – “Sweetwater”

The catchiest country tune you’re going to hear for a long time. This is what should be blaring with every crappy country bar across the nation. Big Valley Jamboree, get this band (still not going to go!).



14. Leeroy Stagger – “Goodnight Berlin”

Stagger and his band rock out on this track, backed by power chords and a sick bass saxophone and horn section. The album Truth Be Sold was produced Steve Berlin, so I’ve always wondered if Stagger is making reference to him as well as the city of Berlin in the chorus.



13. PUP – “Lionheart”

 WOW. PUP is an awesome new band out of Toronto. Having not heard any of their music prior to seeing them warm up for Hollerado, I was shocked by the amount of noise and energy coming from this band. They pack a serious amount of mojo, and “Lionheart” with its driving bassline and hollered “ohhhs” and “ahhhs” is great evidence of that.


12. The Strumbellas – In This Life

Everyone says this, but I think it’s a fair comparison: The Strumbellas are 2013’s Lumineers. What an outstanding folk track complete with a uplifting catchy sing-a-long chorus reminding us all that there’s “something out there for ya in this life."


11. Two Hours Traffic – “Faster 4 U”

Backed by a killer riff, singer Liam Corcoran’s somewhat desperate and confessing lyrics perfectly express the feeling of new love. Add this song to THT’s stable of other great tunes throughout the years.





10. Pink Frost – “Ruins”

 This is guttural, pounding, rock and roll music. It’s a war between the guitarist and the drummer to play the faster beats or gnarlier riffs. I love the drum fills near the end of the song, as well as the use of the heavy toms throughout the track. At the same time, the lyrics accentuate the ridiculous guitar playing that basically makes the track. Riff of the year in my books! Black Mountain fans should check this band out.




9. Portugal. The Man – “Evil Friends”

I had a tough time narrowing it down to just one song from this album. In the end I chose the title track, “Evil Friends.” It starts off with John Gourley’s epic falsetto vocals accompanied by mellow instrumentation before dropping into an all out rock out session. It’s a song that continues to build and build, and when they run out of room, the track explodes into a joyous, catchy chorus. The grungy, distorted bassline and handclaps during the chorus just add to the effect.




8. Wildlife – “Born to Ruin”

Anthemic. What more can be said about this track? Powerful, booming drums back soaring guitars and shimmering synth noises. But at the heart of the track are the band-sung vocals passionately hollering “BABY! We were born to ruin!” It’s a song about the trials and tribulations of love and, theoretically, the heart, which is a topic touched on frequently on the album, On the Heart. EPIC!





7. Generationals – “Put a Light On”

Generationals first caught my attention back in 2009 with their catchy-as-hell song “When They Fight, They Fight.” With their newest album, Heza, the band continues to push its indie pop sound in new directions. “Put a Light On” is a great example of that. The key to the song is the percussion and bass. Various sounds are used percussively, some of which are unusual and draw the ear. The bassline holds the song together while the percussion constantly varies. Finally, the effect on the lyrics are AWESOME. From distorting to looping and everything in between, the vocals are both catchy and confusing and keep me coming back.


6. Hollerado – “Desire 126”

It’s all in the chorus on this rockin’ track. I love the group-sung vocals exuberantly chanting “DESIRE!!!” The chorus is matched by simple and effective verse crafting with jaunty guitar chords and clear precise lyric writing. Sorry to everyone at the Commodore who had to listen to me howling during their show…


5. The Head and the Heart – “10,000 Weight in Gold”

This is a lovely, yet haunting folk track that builds and builds to a euphoric finish. The song wistfully looks back at those left behind either at home or in death, and reminds us that even “10,000 Weight in Gold” is not equal to the love of family and friends. Excellent piano work by Kenny Hensley serves as the backbone to the track, while Charity Thielen adds little glimpses of violin here and there. Add to those a stellar drum track that gets me “air-drumming” every time, and you’re set. The “oooohs” added at the end of the track are both mysterious and concluding, as you can’t really tell if they are sung by Charity’s female voice or singer Jonathan Russell’s falsetto. The song beautifully represents The Head and the Heart's folk-pop sound with their balance of vocal harmonies, and piano, bass, and strings.

Soundcloud

4. Starfucker – “Kahlil Gibran”

Close your eyes and get ready to nod your head along to this hypnotic beat from Portland indie synth band Starfucker. The “twangy” guitars give the track an Indian-inspired vibe, while a soft bass kick and a sharp snare provide an awesome backing beat. The song really hits its stride in the middle segment, where the vocals kick into a higher pitch and follow a catchy arpeggio. In true Starfucker tradition, the lyrics remain impossible to understand, but in this case it really doesn’t matter, as the lyrics are more for instrumental emphasis rather than for substance. And, as the song concludes, “I don’t want to know” anyways.
(free DL!)


3. Cage the Elephant – “Halo”

First-rate bass guitar playing is at the core of this rock n roll blast. This is especially apparent in the pre-chorus when the bass drops into this really cool walking pattern that completely shifts the feel of the song. At the same time, without the driving guitar and additional piano riffage, “Halo” would not have the same impact. Matt Shultz shows off his mean howl in a serious way, going from whispering to shouting in a matter of seconds, captivating the listener and piloting the song wherever he chooses. This should be a radio hit!

Youtube link

2. Smith Westerns – “Best Friend”

There were a couple of songs I could have chosen from my favorite album of the year, and, frankly, I didn’t really ever listen to individual songs as the whole LP flows together so wonderfully. That being said, “Best Friend” stands out from the crowd. I love the guitar work, especially the solo with its infectious hooks and reverb heavy tones. The lyrics are longing and wishful and tell the story of one-sided love with the extended chorus proclaiming “Why won't you let me see you again/you're the one/My best friend.” It’s a dreamy, lovelorn song that instantly transports you into a different state of mind.



1. Surfer Blood – “Demon Dance”

The song of the summer becomes the song of the year. This song will always take me back to ripping around the city with all the windows down, blasting tunes for all the peons to dance along on the sidewalks. This song ROCKS OUT. I love the screaming guitar right off the start before dropping into power chord action for the verses and chorus. Surfer Blood hasn’t forgotten their roots, with the surf inspired drum beat in the pre-chorus and JP’s screamed vocal lines in the bridge that build into an epic climax. At the same time, there’s something about the track that seems so effortless and natural to a rock band that has been playing together in various garages for years. This feeling is capped off by JP’s nonchalant “la-dee-das” at the end of the track which, to me, just say: “We’re Surfer Blood, and we rock.”

 

Honourable Mentions

Chvrches – “Recover”
Polyphonic Spree – “You Don’t Know Me”
The Thermals – “Howl of the Winds”
Fast Romantics – “Take Me Back”
Arcade Fire – “Reflektor”
Superchunk – “Me & You & Jackie Mittoo
RL Grime – “Pockets” and “Shells” – 2013 was the year of the trap

Avett Brothers – “Another is Waiting”

Heckle Away :)