Friday 25 December 2015

Top 15 Songs of 2015

Another year, another list. I’ve paired it down to a nice manageable 15 songs to tickle your ears this holiday season!

15. Fast Romantics – “Julia”

Coming off their great 2013 album Afterlife Blues, Fast Romantics hit it big this spring and summer with this memorable indie rock track. Great guitar lines, a catchy chorus and rhythmic tambourines just make you want to throw back your head and sing along.



14. Bad Sounds – “I Feel”

It’s the fat fuzzy bassline that keeps me coming back to this track. Cool falsettos and funk style guitar licks just add to the beauty of that bassline.



13. Telekinesis – “Sylvia”

Electro-pop blast from Telekinesis’s 2015 album Ad Infinitum. I love the very simple piano chords that come after the chorus, a cool analog juxtaposition to all the digital synths and big electronic drums.

 

12. Drake – Back to Back (Meek Mill Diss)

Drake had another big year, and this time I couldn’t just ignore it, especially given his hilarious “Hotline Bling” dance moves. In mid-summer, when terrible rapper Meek Mill accused Drake of using a ghost writer over twitter, Drake fired back in true old school hip hop style with a pair of diss tracks. The first track was alright, and definitely surprised people, but “Back to Back” REALLY shocked the hip hop world; Drake was spitting bars. Using a super simple trap beat, Drake almost drunkenly slaps Meek Mill with diss after diss. It’s gold. Almost as gold as those Hotline Bling moves!


11. Tough Age – “50 Girls 50”

Great surf/punk rock track from a Vancouver favourite of mine. The song really kicks into another gear when the OOOOOOHHHHHS come out of nowhere. Talk about catchy.



10. White Reaper – “Make Me Wanna Die”

I rate this song almost exactly same as the Tough Age song. Excellent driving punk rock with classic White Reaper keyboards that add special melodic flavour.



9. Kendrick Lamar – “Black Friday”

Kendrick’s 2015 album To Pimp a Butterfly is contemporary, aware, insightful, anthemic, and powerful. It says many of the things that need be said about systemic oppression, racism, and white privilege in the midst of Trump’s heinous campaign, Black Lives Matter protests, and more. However, as a body of music, Kendrick’s album is challenging. Unlike his melodic, trap-beat filled previous album Good Kid, Maad City, TPAB is choppy, varied, and wild. Instead of picking a track from the album, I have picked “Black Friday,” a single released on that day of overconsumption in November. Here Kendrick raps over another jerky, tricky beat from J Cole. Kendrick hits on all the themes from the album with viscous intensity: race, consumerism, poverty, the rap game, genres, Trump, privilege, and even Yeezy himself. It’s a brilliant song and comes off as completely effortless, a sign of a rapper on top of his game right now.



8. Viet Cong – “Continental Shelf”

This band was on my radar forever, but I didn’t really give them a real listen until the whole name controversy came up this fall. The band has since announced they will change the name. “Continental Shelf” is a post-punk song grounded in simple tension and release. The verses are grating, noisey, and irritating, with lead singer Matt Flegel crooning, yelping, and straining. Just as you think you can’t handle any more, the chorus floats in on a whim, complete with harmonious and triumphant guitar riffs and angelic backing vocals. This juxtaposition between verse and chorus is fascinating and keeps me coming back to this track again and again.



7. Death Cab for Cutie – “Little Wanderer”

A subtle guitar riff drives this longing love song from Ben Gibbard and the Death Cab boys. It tells the story of a relationship strained by frequent separation, and is probably-almost-for-sure-absolutely based in Gibbard’s divorce from indie sweetheart Zooey Deschanel in 2012. Gibbard’s longing lyrics are the centre-piece of the song, with a perfectly crafted catchy pop chorus straining everyone’s heart strings just a little bit.



6. Mumford and Sons – “The Wolf”

Will picking Mumford?!?! I know, crazy. But how could I not pick this song! What an amazing driving, energetic track. Awesome riffage, awesome drumming, awesome vocals. It’s that kind of song you crank when it comes on the radio and drum madly on the steering wheel...or maybe that’s just me. The 2015 Mumford-genre switch, from predictable banjo folk to heart pounding top 40 rock caught many by surprise, and has been lamented worldwide. I say heck ya! Bring me more of this and I’ll be a happy camper. Excuse me while I air drum!



5. Tame Impala – “Let It Happen”

Okay okay OKAY. This track. Honestly, an eight-minute track is VERY daunting for me. But as the song titles suggests, you just have to “let it happen.” It’s all about the build in this song. The song begins with intriguing synth layers, a bouncy and clappy drum beat, and a noodle-y little bass line that reverberates throughout the track. Soon this part of the track melts into a full orchestra of strings, which build into the grand climax of the song: the best riff of 2015. The riff is crunchy, listenable, catchy, UGH so good. Great song if you “let it happen,” no skipping to the guitar riff (it's at 6:15 btw) !!



4. Mac Demarco – “No Other Heart”

There’s something about Mac’s music that makes it very relatable. It’s the kind of music that makes you want to pick up the nearest instrument, be it a guitar, keyboard, drumset, or Peruvian pan flute, and write a little love ditty to your sweetheart. Mac does exactly that on this track, layering jangling guitar licks on top of simple piano chords and lovey-dovey lyrics like “come on give this lover boy a try/I’ll put the sparkle right back in your eyes.” It’s cute.



3. Lord Huron – “Fool for Love”

Best song from an album that all sounds the same. Love the carefree lyrics and fun bah-bahs in the background of the lyrics. A groovy drum beat with a clappy snare adds to the carefree vibes of this song. A fun one.



2. FIDLAR – “Stupid Decision”

I’ve liked California band FIDLAR since their 2013 debut album, but with 2015’s album, Too, FIDLAR really grabbed my interest. While the debut album was mostly skate punk tunes about partying, drinking, and raising hell, Too is mature and contemplative, yet retains enough fun punk vibes. “Stupid Decision” is a perfect example of this. It’s an extremely heavy song about Zac Carper’s lifelong struggle with drugs and alcohol. In 2013, while on tour with fellow punk rock band Wavves, Carper’s pregnant girlfriend overdosed and died from heroine use. Carper, a serious drug addict himself, was hit hard by the news, and spiralled even further into addiction and depression. Since then, Carper has recovered and sobered up; “Stupid Decision” tells his story. It isn’t very often when punk is so personal, so Too breathes a serious fresh breath of air into the genre. Some critics have attacked FIDLAR for softening up, but I couldn’t disagree more. While no longer a thrashy punk band, Fidlar more than makes up for that with melody and better songwriting. The lyrics, playing, and album crafting is top notch, and will be an album I look back on well into the future.

Song at 30:18



1. Courtney Barnett – “Depreston”

Courtney Barnett writes songs like a photographer. In “Depreston,” she takes us into a photograph of a “Californian bungalow in a cul-de-sac” in suburban Australia. With her deadpan sarcastic tone, Barnett conveys the overwhelming sense of grey emptiness of suburban life. Her writing, combining with a simple guitar part, immediately instills a nostalgic feeling deep in your gut. At its heart, “Depreston” is a coming of age song; it’s about the sudden, depressing realization that “real” adulthood means giving up a life of socializing in coffee shops for a glum existence in the suburbs. Yet the song is redemptive; if you have “a spare half a million/you could knock it down and start rebuilding.” While Arcade Fire advocates for “Suburban War,” Barnett’s message is much simpler: get rich or die trying.




Tuesday 1 December 2015

December Singles

Here are a couple of new tunes tickling my ear hairs.

Bad Sounds - "I Feel"

Cool fuzzy bassline, catchy lyrical additions.



Fine Times - "Not Dead" 

Local boys continuing to mimic label-mates The Zolas in the best of ways.



Cage the Elephant - "Trouble"

Probably doesn't require a repost, but dang. CTE coming back with some "Cigarette Daydream" nostalgia on this tune. Very Portugal the Man-ish.



Silver Blueberry - "Walk With Me"

Effortless punk tune. Clash influence.




Monday 26 October 2015

Don't call it a come back

It's time to stop being lazy and get this blog going again! Since I took the summer off, I thought I'd return with a super simple blog of straight tunes. I'll be coming back soon with album reviews, concert reviews, and my favourite top 10 lists!

Here goes:

Went to see Telekinesis a few weeks ago. The warmup, Say Hi, was hilarious. Here's a cool tune from the new record, I love the hollow synths.


FIDLAR is one of those bands really getting me fired up on punk again. While their last album was primarily party rock anthems like "Cheap Beer" and "Wake Bake Skate," FIDLAR seems to have grown up a bit on their 2015 release. Check out "40 oz on Repeat," a self-deprecating tune about the very real problem of money or lack thereof. Buy their album so they have more of that green stuff.



Port Juvee is a Calgary rawk band, here's an okay tune!



Another Calgary rawk band that has caught my ear is 36?. Winners of the 2015 Western Canadian Music Awards Rock Album of the year, 36? is a strange band without a defining sound. Their song "are you scared yet?" is my favourite, a blend of Hot Hot Heat and Violent Femmes.


Coming back soon with more!

Saturday 14 March 2015

Album Review: Drum and Bell Tower - "Out of the Time"

Note to fans of da blog: Sorry it's been so long between posts. School got busy and I've been listening to way too much house music as of late. That said, my friend Sam sent me this new album from Drum and Bell Tower. He's playing a show in Vancouver on March 21st at the Wise Hall. Here's my review.

Like Sam Tudor, Brent Morton (the man behind the moniker Drum and Bell Tower), is based in Williams Lake, a relatively isolated outpost in Northern BC teeming with musical talent. The nature of this northern town seems to leak its way into many its artists; there's a sense of expansion and desolation hidden within the sound of artists such as Brent, or Sam, or even punk bands like Rebel Spell. Drum and Bell tower is tone sensitive, lyrically driven early Radiohead rock mixed with strange electronic elements and breakdowns a la Kitchener's Decomposure (see the opener of the album). Drum and Bell Tower sound like you've heard them all your life, but you've never heard them before.

The first thing that strikes me about Out of the Time is how sonically cohesive it is as a whole. Many of the songs have similar guitar riffs and the vocal delivery remains even and paced for many of the songs, especially towards the end of the album. This similar soundscape gives a great continuity to the album, although sometimes by track six or seven I'm just begging for a track to break up the flow and truly surprise me with a new vibe or energy. A song like "Stitches" achieves this well, with a creepy and haunting drum intro and vocals done by Sam Tudor, sounding like a young James Mercer.

While many of the songs sound eerily similar, this is not necessarily a bad thing. The guitar tones are absolutely pitch perfect. Warm and round, but still edgy, these tones define the sound of the album, so I can't fault Brent for keeping a similar tone throughout the album. When the full band kicks in behind these gorgeous guitars, Drum and Bell Tower presents a serious sonic force. The best example of this, and my favourite song from the album, is "Song for a Teenage Girl." It begins with a heavy driving beat and careful guitar riffage. The vocals are pleading, and express level of warning. For a writer that has typically focused on large, political issues in the past, the lyrical basis of this track is very personal, telling of the pain of letting go of someone you love. The sentiment in the lines "take the pain and travel on" are matched perfectly by the desperate vocal delivery. The band follows along with the vocals, with an excellent bass riff and bass focused drums. It's a great track.

Overall, Out of the Time is an album of small, but deep impressions. It's that cool bass riff at 1:40 of "Song 0," or a particularly insightful lyric, or even just an emotion evoked. Like bands such as War on Drugs or Phosphorescent, Drum and Bell Tower does not focus on individual songs, rather on the album as a singular emotional unit, portraying a certain feeling. Like Lost in the Dream, Drum and Bell Tower takes me Out of the Time and into the woods of William Lake, BC.


Drum and Bell Tower play Wise Hall March 21st in Vancouver. To check out more tour dates, and to stream the entire album, head over to http://www.drumandbelltower.org/